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| Minerva Rodríguez Newness Star Wars Episode III: Revenge of the Sith
The composer establishes a solid musical bridge between Star Wars. Epidode II: Attack of the Clones and Star Wars, which on the other hand answers to the logic of the saga. There are kept the basic, developed topics, and he contributes new material, though of minor importance. It includes a couple of dramatic topics, like laments, and another jocular topic, with percussion. Individually considered it does not have excellence too much, but attending to its location between the episodes second and fourth keeps its coherence and stability.
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Classics Gladiator
The composer joins the perfect evocation of the imperial Rome and the palpitating and martial tone of the cinema of action.A strange symbiosis between the contemplative music, which personifies musically the own dreams and visions of the prominent figures of the director, and the descriptive music of the battles and struggles. For the first type of music he has relied on the collaboration of the vocalist and composer Lisa Gerrard, is very usual in the composer, that he usually surrounds itself with disciples wit he has created one of the most influential schools in the cinematographic current music. |
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